Daniel Storms, a Belgian brutalist painter exploring architectural memory in contemporary painting

Daniel Storms is a Belgian brutalist abstract painter working at the intersection of architecture, silence, and  memory. 

Based in Ronse-Belgium, he  is inspired with what remains after the noise in big cities.

Storms does not paint cities; he constructs them. Through layered surfaces, controlled fractures, and restrained palettes, his paintings echo the  weight of modernist architecture. 

Influenced by the monumental presence of the Barbican Centre and the radical housing vision of Cité Radieuse, his work engages in a dialogue with 20th-century architectural thought while remaining distinctly contemporary.


Storms’ recent exhibitions across the UK, Belgium and the Netherlands mark a shift toward increasingly architectural compositions.

Daniel Storms is a Belgian brutalist abstract painter working at the intersection of architecture, silence, and memory.

Based in Ronse-Belgium, he is inspired with what remains after the noise in big cities.

Storms does not paint cities; he constructs them. Through layered surfaces, controlled fractures, and restrained palettes, his paintings echo the weight of modernist architecture.

Influenced by the monumental presence of the Barbican Centre and the radical housing vision of Cité Radieuse, his work engages in a dialogue with 20th-century architectural thought while remaining distinctly contemporary.


Storms’ recent exhibitions across the UK, Belgium and the Netherlands mark a shift toward increasingly architectural compositions.

My available art work - architectural abstract paintings impired by brutalist cities and urban memories

the line that holds

Size : 160cm x 140cm Year :2026 What remains after impact is not ruin: its structure. A surface built, broken, and held together again.

eco brutalism

Size : 160cm x 140cm Year : 2026 Eco-brutalism is not a contradiction—it’s a tension. Emerging from the legacy of brutalist...

fissure

Size : 160cm x 140cm Year : 2025 layers and a striking dramatic feel. “Chaque ligne cherche à tenir. Chaque texture dit une fissure.”

L'espace contrôlé

Size : 160cm x 140cm year : 2026 This space is built, not found. A warm block insists on existing inside a colder order: not as...

Mirroir brut

Size : 160 cm x 140 cm Year : 2025 this work captivates my views on big cities perfectly. “Le brutalisme en peinture n’est pas un...

After the structure forgot its function

Size : 140cm x 160cm Year : 2026 It’s not broken. It just no longer serves. This work exists in the moment after function…when...

The other half ( left & right)

Size : 120 cm x 140 cm each, Year : 2025, I feel light, no city life pressure, the colours came naturally. '“Structuur zonder...

La ville tient encore

Size : 140cm x 120cm Year : 2026 The city has been pushed, bent, tested. Its surfaces show stress, its angles refuse comfort. Nothing is...

When structure breaks quietly

Size : 140cm x 120cm Year : 2026 This work is part of an ongoing exploration of architectural silence…where structure holds, until a...

Form after impact

Size : 140cm x 120cm Year : 2025 Le choc a déjà eu lieu. Ce qui reste, ce sont des lignes déplacées, des masses resserrées, une...

Copenhagen 606

Size : 140cm x 120cm Year : 2025 Inside the quiet geometry of Room 606 of the SAS Royal hotel in Copenhagen, designed by Arne Jacobsen...

Room 606 revisited

Size : 120cm x 140cm Year : 2025 A return — not to a place, but to an atmosphere. Room 606 Revisited breathes the ghost of Arne...

What remains unsaid

Size : 120cm x 140cm Year : 2025 The left part of a Diptych (The right part is called 'Traces of stillness') Size : 120cm x 140cm Year...

Traces of stillness

Size : 120cm x 140cm Year : 2025 The RIGHT part of a Diptych (The left part is called 'What remains unsaid') Size : 120cm x 140cm Year...

emerald city

Size : 140 cm x 120 cm Year : 2025 One of the paintings I made when returning to the Belgian countryside - an urban influence, but very...

Ce que la ville retient la nuit

Size : 100cm x 100cm Year : 2026 A dark structure rises in silence. Blocks of ultramarine and shadow press against each other like...

Stilte in structuur

Size : 100 cm x 100 cm Year : 2025 The diagonal form cuts through the space like a memory of architecture: A passage, a wall, or the...

onder de huid van de stad

Size : 100 cm x 100 cm Year : 2024 A dramatic cityscape with lots of relief and tension between dark and light areas. “De compositie...

A dialogue with a brutalist city

Size : 100cm x 100cm Year : 2024 Part of the series inspired by my 4 years living in the centre of London “When I paint brutalist work...

The decay of a brutalist city

Size : 100 cm x 100 cm year : 2025 Part of a series I made, based on my time living in London. “My work reflects the weight of cities —...

ce que la ville garde pour elle

Size : 100cm x 100cm year : 2026 The city never says everything. It layers silence over silence, hides warmth behind concrete...

het gewicht van aanwezigheid

Size : 100 cm x 100 cm Year : 2026 A silent architecture rises from the surface. Fragments of walls and shadows of structures that fold...

squelette urbain

Size : 100 cm x 100 cm Year : 2025 This city view with the striking gold area, has a 50's vibe, which works well with the brown and grey...

Architecture du silence

size : 100cm x 100cm year : 2026 This painting feels like a room built after everything unnecessary has been removed. Walls, corners...

ce qui tient (left) & sans bruit (right)

Size : 100cm x 100cm each year : 2026 Ce qui tient: Dans Ce qui tient, la ville ne s’effondre pas. Elle résiste. Sous les couches...

Under the westway (left & right)

Size : 100cm x 100cm each Year : 2025 The left panel is the version of me that searches for quiet. The turquoise, the softer edges, the...

spanning

Size : 100 cm x 100 cm Year : 2025 I create a brutalist painting in 3 phases: 1. symmetry 2. add contrast 3. infuse some controlled...

Luxembourg fragments

Size : 100 cm x 100 cm Year : 2025 This painting feels like walking through Luxembourg City at dawn … before the commuters arrive, before...

Betonhart

Size : 100 cm x 100 cm Year : 2024 “Ik schilder steden zoals ik mensen zie: Soms gebroken en gelaagd, maar steeds vol leven"

Silence vertical

Diptych : 80cm x 100cm & 100cm x 100cm Year : 2025 Dans ce diptyque, la géométrie devient émotion. Deux toiles dialoguent dans le...

The silent corridor - diptych

Size : each 80cm x 80cm Year : 2026 A new diptych exploring architectural tension. Two structures facing each other. Ultramarine lines...

What the structure forgot

size : 80cm x 80cm Year : 2026 The structure begins to forget itself, edges softening, weight dissolving into air. What once stood firm...

Controlled impact

Size : 80 cm x 80 cm Year : 2026 Something has already happened here. You just don’t see it yet. The weight sits in the center:...

Residual skyline

Size : 80cm x 80cm Year : 2026 Where the city fades, only light remains.

Closed structure

Size : 80cm x 80cm Year : 2026 Nothing opens here. Surfaces overlap, block, erase…. each layer correcting the one before it. What was...

Concrete memory

Size : 80cm x 80cm Year : 2026 A structure that remains, even after its purpose is gone.

Fractured calm

Size : 80 cm x 80 cm Year : 2025 selected for the exhibition : BIENNALE D'ART CONTEMPORAIN D'ARLON 2025. "I build structures of silence...

Thames reflections

Size : 80 cm x 60 cm Year : 2023 A dark impression of the Thames river meandering through London. "I don't paint what I see, only what...

Work the black seam

Size : 50 cm X 80 cm Year : 2024 Inspired by Sting's 'We Work The Black Seam' song written in 1985. "This place has changed for...

tussen de barsten en het licht

Size : 80 cm x 120 cm Year : 2024 Dark, cracks and contrast : my views on a brutalist city on the light playing through it. “Het...