STILL INSIDE marks a shift from architecture as subject to architecture as inner landscape.
Rooted in brutalism, Daniel Storms uses walls, openings, fractured lines and layered surfaces as metaphors for memory, protection and vulnerability. Concrete no longer simply defines a city; it becomes a kind of skin, carrying the marks of time, pressure and what remains unspoken.
Through abstraction, raw materiality and controlled disruption, the paintings explore the tension between what we reveal and what we keep hidden.
STILL INSIDE is about what remains beneath the surface ... what we carry, what we protect, and what refuses to disappear.
Next major exhibition:
BIAF - Belgian International Art Fair
10-11 October 2026
Waagnatie
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Size : 160cm x 140cm Year : 2026 Nothing collapses: things simply drift apart. And then, almost invisibly, they begin to gather again...
Size : 160cm x 140cm Year :2026 What remains after impact is not ruin: its structure. A surface built, broken, and held together again.
Size : 160cm x 140cm Year : 2025 layers and a striking dramatic feel. “Chaque ligne cherche à tenir. Chaque texture dit une fissure.”
Size : 160cm x 140cm year : 2026 This space is built, not found. A warm block insists on existing inside a colder order: not as...
Size : 160 cm x 140 cm Year : 2025 this work captivates my views on big cities perfectly. “Le brutalisme en peinture n’est pas un...
Size : 140cm x 160cm Year : 2026 It’s not broken. It just no longer serves. This work exists in the moment after function…when...
Size : 160cm x 140cm Year : 2026 Eco-brutalism is not a contradiction—it’s a tension. Emerging from the legacy of brutalist...
Size : 140cm x 120cm Year : 2026 Not a painting. A presence. Raw textures, restrained palette, and controlled fractures of red: this...
Size : 140cm x 120cm Year : 2026 This diptych is not made to please everyone. It is dark, raw and uncompromising. The two paintings feel...
Size : 140 cm x 120 cm each, Year : 2025, I feel light, no city life pressure, the colours came naturally. '“Structuur zonder...
Size : 140cm x 120cm Year : 2026 The city has been pushed, bent, tested. Its surfaces show stress, its angles refuse comfort. Nothing is...
Size : 140cm x 120cm Year : 2026 This work is part of an ongoing exploration of architectural silence…where structure holds, until a...
Size : 140cm x 120cm Year : 2025 Inside the quiet geometry of Room 606 of the SAS Royal hotel in Copenhagen, designed by Arne Jacobsen...
Size : 120cm x 140cm Year : 2025 A return, not to a place, but to an atmosphere. Room 606 Revisited breathes the ghost of Arne...
Size : 140 cm x 120 cm Year : 2025 One of the paintings I made when returning to the Belgian countryside - an urban influence, but very...
Size : 120cm x 100cm Year : 2026 Sometimes I look at a city and feel something I can’t quite explain. The lines are straight. The...
Size : 100cm x 100cm Year : 2026 I thought I was painting a window. But the longer I worked on it, the less it felt like one. The black...
Size : 100 cm x 100 cm Year : 2024 A dramatic cityscape with lots of relief and tension between dark and light areas. “De compositie...
Size : 100cm x 100cm year : 2026 The city never says everything. It layers silence over silence, hides warmth behind concrete...
Size : 100 cm x 100 cm Year : 2026 A silent architecture rises from the surface. Fragments of walls and shadows of structures that fold...
Size : 100cm x 100cm each year : 2026 Ce qui tient: Dans Ce qui tient, la ville ne s’effondre pas. Elle résiste. Sous les couches...
size : 100cm x 100cm year : 2026 This painting feels like a room built after everything unnecessary has been removed. Walls, corners...
Size : 100cm x 100cm each Year : 2025 The left panel is the version of me that searches for quiet. The turquoise, the softer edges, the...
Size : 100 cm x 100 cm Year : 2025 I create a brutalist painting in 3 phases: 1. symmetry 2. add contrast 3. infuse some controlled...
Size : 100 cm x 100 cm Year : 2025 This painting feels like walking through Luxembourg City at dawn … before the commuters arrive, before...
Size : 100 cm x 100 cm Year : 2024 “Ik schilder steden zoals ik mensen zie: Soms gebroken en gelaagd, maar steeds vol leven"
Size : 100 cm x 100 cm year : 2025 Part of a series I made, based on my time living in London. “My work reflects the weight of cities —...
Size : 100 cm x 100 cm Year : 2025 This city view with the striking gold area, has a 50's vibe, which works well with the brown and grey...
Size : 100 cm x 100 cm Year : 2025 The diagonal form cuts through the space like a memory of architecture: A passage, a wall, or the...
Size : 100cm x 100cm Year : 2024 Part of the series inspired by my 4 years living in the centre of London “When I paint brutalist work...
Diptych : 80cm x 100cm & 100cm x 100cm Year : 2025 Dans ce diptyque, la géométrie devient émotion. Deux toiles dialoguent dans le...
Size : each 80cm x 80cm Year : 2026 A new diptych exploring architectural tension. Two structures facing each other. Ultramarine lines...
Size : 80 cm x 80 cm Year : 2026 Something has already happened here. You just don’t see it yet. The weight sits in the center:...
Size : 80cm x 80cm Year : 2026 Nothing opens here. Surfaces overlap, block, erase…. each layer correcting the one before it. What was...
Size : 80 cm x 80 cm Year : 2025 selected for the exhibition : BIENNALE D'ART CONTEMPORAIN D'ARLON 2025. "I build structures of silence...
size : 80cm x 80cm Year : 2026 The structure begins to forget itself, edges softening, weight dissolving into air. What once stood firm...
Size : 50 cm X 80 cm Year : 2024 Inspired by Sting's 'We Work The Black Seam' song written in 1985. "This place has changed for...
Size : 80 cm x 120 cm Year : 2024 Dark, cracks and contrast : my views on a brutalist city on the light playing through it. “Het...
Size : 80 cm x 60 cm Year : 2023 A dark impression of the Thames river meandering through London. "I don't paint what I see, only what...