Daniel Storms is a Belgian brutalist abstract painter working at the intersection of architecture, silence, and memory.
Based in Ronse-Belgium, he investigates the emotional residue of urban mass, what remains after noise.
Storms does not paint cities; he constructs them. Through layered surfaces, controlled fractures, and restrained palettes, his paintings echo the weight of modernist architecture.
Influenced by the monumental presence of the Barbican Centre and the radical housing vision of Cité Radieuse, his work engages in a dialogue with 20th-century architectural thought while remaining distinctly contemporary.
Concrete, tension, erosion, and balance form the vocabulary of his canvases.
Storms’ recent exhibitions across the UK, Belgium and the Netherlands mark a shift toward increasingly architectural compositions: heavier forms, sharper divisions, and a heightened awareness of spatial rhythm.
Daniel continues to explore a singular question: how can painting carry the weight of architecture, and still remain quiet?
Size : 100 cm x 100 cm Year : 2025 The diagonal form cuts through the space like a memory of architecture: A passage, a wall, or the...
Size : 100 cm x 100 cm Year : 2026 A silent architecture rises from the surface. Fragments of walls and shadows of structures that fold...
Size : 120 cm x 140 cm each, Year : 2025, I feel light, no city life pressure, the colours came naturally. '“Structuur zonder...
Size : 100 cm x 100 cm Year : 2025 This city view with the striking gold area, has a 50's vibe, which works well with the brown and grey...
Size : 160cm x 140cm Year : 2025 layers and a striking dramatic feel. “Chaque ligne cherche à tenir. Chaque texture dit une fissure.”
Size : 160cm x 140cm year : 2026 This space is built, not found. A warm block insists on existing inside a colder order: not as...
Size : 140cm x 120cm Year : 2026 The city has been pushed, bent, tested. Its surfaces show stress, its angles refuse comfort. Nothing is...
Size : 160 cm x 140 cm Year : 2025 “La composition s’inspire de l’architecture : des formes se bloquent, des masses s’entrechoquent.”
Size : 140cm x 120cm year : 2025 Blocks rise and overlap, not to dominate, but to coexist. Dark masses carry weight and memory, while...
Size : 100cm x 100cm Year : 2026 A dark structure rises in silence. Blocks of ultramarine and shadow press against each other like...
Size : 160 cm x 140 cm Year : 2025 this work captivates my views on big cities perfectly. “Le brutalisme en peinture n’est pas un...
Size : 100cm x 100cm year : 2026 The city never says everything. It layers silence over silence, hides warmth behind concrete...
Size : 100cm x 100cm Year : 2024 Part of the series inspired by my 4 years living in the centre of London “When I paint brutalist work...
size : 100cm x 100cm year : 2026 This painting feels like a room built after everything unnecessary has been removed. Walls, corners...
Size : 100 cm x 100 cm Year : 2025 This painting feels like walking through Luxembourg City at dawn … before the commuters arrive, before...
Size : 140cm x 120cm Year : 2025 Le choc a déjà eu lieu. Ce qui reste, ce sont des lignes déplacées, des masses resserrées, une...
Size : 100 cm x 100 cm year : 2025 Part of a series I made, based on my time living in London. “My work reflects the weight of cities —...
Size : 140cm x 120cm Year : 2025 Inside the quiet geometry of Room 606 of the SAS Royal hotel in Copenhagen, designed by Arne Jacobsen...
Size : 100 cm x 100 cm Year : 2024 “Ik schilder steden zoals ik mensen zie: Soms gebroken en gelaagd, maar steeds vol leven"
Size : 100 cm x 100 cm Year : 2025 "not pictures of the world, but foundations of its silence"
Size : 120cm x 140cm Year : 2025 The left part of a Diptych (The right part is called 'Traces of stillness') Size : 120cm x 140cm Year...
Size : 120cm x 140cm Year : 2025 The RIGHT part of a Diptych (The left part is called 'What remains unsaid') Size : 120cm x 140cm Year...
Size : 100cm x 100cm each year : 2026 Ce qui tient: Dans Ce qui tient, la ville ne s’effondre pas. Elle résiste. Sous les couches...
Size : 80 cm x 100 cm Year : 2025 Geometry as memory. Layers of colour hold the echoes of forgotten façades: green like oxidised metal...
Size : 100cm x 100cm each Year : 2025 The left panel is the version of me that searches for quiet. The turquoise, the softer edges, the...
Size : 50 cm X 80 cm Year : 2024 Inspired by Sting's 'We Work The Black Seam' song written in 1985. "This place has changed for...
Size : 100 cm x 100 cm Year : 2025 More chaos, more colour, more passion. “Mijn werk tracht de ademhaling van de stad te vangen : zwaar...
Diptych : 80cm x 100cm & 100cm x 100cm Year : 2025 Dans ce diptyque, la géométrie devient émotion. Deux toiles dialoguent dans le...
Size : 140 cm x 120 cm Year : 2025 One of the paintings I made when returning to the Belgian countryside - an urban influence, but very...
Size : 120cm x 140cm Year : 2025 A return — not to a place, but to an atmosphere. Room 606 Revisited breathes the ghost of Arne...
Size : 100 cm x 100 cm Year : 2025 I create a brutalist painting in 3 phases: 1. symmetry 2. add contrast 3. infuse some controlled...
Size : 100 cm x 150 cm Year : 2024 A multi-layered complex city view. “Je rature, je couvre, je découvre. Ce n’est jamais propre. Ce...
Size : 80 cm x 120 cm Year : 2024 Dark, cracks and contrast : my views on a brutalist city on the light playing through it. “Het...
Size : 100 cm x 100 cm Year : 2024 A dramatic cityscape with lots of relief and tension between dark and light areas. “De compositie...
Size : 80 cm x 80 cm Year : 2025 selected for the exhibition : BIENNALE D'ART CONTEMPORAIN D'ARLON 2025. "I build structures of silence...
Size : 80 cm x 60 cm Year : 2023 A dark impression of the Thames river meandering through London. "I don't paint what I see, only what...