Daniel Storms is a Belgian abstract painter whose work is rooted in brutalist architecture and driven by emotion.
Four years spent living in London, and a lasting fascination with the Barbican, shaped his visual language.
Yet Daniel does not paint buildings as they appear. He paints what they hold: silence, tension, erosion, resilience and traces of human presence.
Working with acrylic on canvas, he constructs layered surfaces that feel weathered by time. Concrete-like textures, controlled fractures and a restrained palette create a balance between strength and stillness.
In his Eco-Brutalism series, nature begins to reclaim these rigid structures, introducing softness, resistance and renewal.
Instagram: daniel.storms.painter
Size : 160cm x 120cm Year : 2026 Nothing collapses: things simply drift apart. And then, almost invisibly, they begin to gather again...
Size : 160cm x 140cm Year : 2026 Eco-brutalism is not a contradiction—it’s a tension. Emerging from the legacy of brutalist...
Size : 160cm x 140cm Year :2026 What remains after impact is not ruin: its structure. A surface built, broken, and held together again.
Size : 160cm x 140cm Year : 2025 layers and a striking dramatic feel. “Chaque ligne cherche à tenir. Chaque texture dit une fissure.”
Size : 140cm x 160cm Year : 2026 It’s not broken. It just no longer serves. This work exists in the moment after function…when...
Size : 160cm x 140cm year : 2026 This space is built, not found. A warm block insists on existing inside a colder order: not as...
Size : 160 cm x 140 cm Year : 2025 this work captivates my views on big cities perfectly. “Le brutalisme en peinture n’est pas un...
Size : 140cm x 120cm Year : 2026 Not a painting. A presence. Raw textures, restrained palette, and controlled fractures of red: this...
Size : 140cm x 120cm Year : 2026 This diptych is not made to please everyone. It is dark, raw and uncompromising. The two paintings feel...
Size : 120 cm x 140 cm each, Year : 2025, I feel light, no city life pressure, the colours came naturally. '“Structuur zonder...
Size : 140cm x 120cm Year : 2026 The city has been pushed, bent, tested. Its surfaces show stress, its angles refuse comfort. Nothing is...
Size : 140cm x 120cm Year : 2026 This work is part of an ongoing exploration of architectural silence…where structure holds, until a...
Size : 140cm x 120cm Year : 2025 Inside the quiet geometry of Room 606 of the SAS Royal hotel in Copenhagen, designed by Arne Jacobsen...
Size : 120cm x 140cm Year : 2025 A return, not to a place, but to an atmosphere. Room 606 Revisited breathes the ghost of Arne...
Size : 140 cm x 120 cm Year : 2025 One of the paintings I made when returning to the Belgian countryside - an urban influence, but very...
Size : 100 cm x 100 cm Year : 2025 The diagonal form cuts through the space like a memory of architecture: A passage, a wall, or the...
Size : 100 cm x 100 cm Year : 2024 A dramatic cityscape with lots of relief and tension between dark and light areas. “De compositie...
Size : 100cm x 100cm Year : 2024 Part of the series inspired by my 4 years living in the centre of London “When I paint brutalist work...
Size : 100 cm x 100 cm year : 2025 Part of a series I made, based on my time living in London. “My work reflects the weight of cities —...
Size : 100cm x 100cm year : 2026 The city never says everything. It layers silence over silence, hides warmth behind concrete...
Size : 100 cm x 100 cm Year : 2026 A silent architecture rises from the surface. Fragments of walls and shadows of structures that fold...
Size : 100 cm x 100 cm Year : 2025 This city view with the striking gold area, has a 50's vibe, which works well with the brown and grey...
size : 100cm x 100cm year : 2026 This painting feels like a room built after everything unnecessary has been removed. Walls, corners...
Size : 100cm x 100cm each year : 2026 Ce qui tient: Dans Ce qui tient, la ville ne s’effondre pas. Elle résiste. Sous les couches...
Size : 100cm x 100cm each Year : 2025 The left panel is the version of me that searches for quiet. The turquoise, the softer edges, the...
Size : 100 cm x 100 cm Year : 2025 I create a brutalist painting in 3 phases: 1. symmetry 2. add contrast 3. infuse some controlled...
Size : 100 cm x 100 cm Year : 2025 This painting feels like walking through Luxembourg City at dawn … before the commuters arrive, before...
Size : 100 cm x 100 cm Year : 2024 “Ik schilder steden zoals ik mensen zie: Soms gebroken en gelaagd, maar steeds vol leven"
Diptych : 80cm x 100cm & 100cm x 100cm Year : 2025 Dans ce diptyque, la géométrie devient émotion. Deux toiles dialoguent dans le...
Size : each 80cm x 80cm Year : 2026 A new diptych exploring architectural tension. Two structures facing each other. Ultramarine lines...
size : 80cm x 80cm Year : 2026 The structure begins to forget itself, edges softening, weight dissolving into air. What once stood firm...
Size : 80 cm x 80 cm Year : 2026 Something has already happened here. You just don’t see it yet. The weight sits in the center:...
Size : 80cm x 80cm Year : 2026 Nothing opens here. Surfaces overlap, block, erase…. each layer correcting the one before it. What was...
Size : 80 cm x 80 cm Year : 2025 selected for the exhibition : BIENNALE D'ART CONTEMPORAIN D'ARLON 2025. "I build structures of silence...
Size : 80 cm x 60 cm Year : 2023 A dark impression of the Thames river meandering through London. "I don't paint what I see, only what...
Size : 50 cm X 80 cm Year : 2024 Inspired by Sting's 'We Work The Black Seam' song written in 1985. "This place has changed for...
Size : 80 cm x 120 cm Year : 2024 Dark, cracks and contrast : my views on a brutalist city on the light playing through it. “Het...